Monday, October 18, 2010
Save the Internet PSA
I made up this old newsreel style PSA to help spread the word about the Combating Online Infringement and Counterfeits Act(COICA). It's down right sickening that something like this is even entertained. To jump right to the issue and petition check out Demand Progress.ORG
Now being an artist I'm well aware of protecting copyrights, but something like this isn't how it's done. And as we all know, despite what the entertainment industry claims, a vast majority of any copyrighted content being shared is generally junk. Especially the stuff on the likes of Youtube.
Also you can't really hurt a market that isn't there, and these companies could very easily make their content freely available on their own websites. Or even provide blanket licensing options for websites to cover their content that is shared. It would be very similar to the way TV, Radio, and assorted businesses pay blanket Public Performance licenses for music. They could even request a portion of ad revenue on the pages that their content appears on.
Spread the word, the internet black list must be stopped.
Thursday, September 23, 2010
Public Domain: The Shocking Truth!
So now having learned something I somewhat referenced in a past post about music. I vaguely touched on Public Domain music. Where I mentioned "the older the better".
Turns out, that's only a half truth. Why? Well let me tel you.
While an old song may be public domain, that really only covers the sheet music, any lyrics.
The catch here is, any recordings or productions made from that music are protected by copyright and belong to that particular creator. And that recording won't enter public domain until at least 75 years after the death of that creator.
So even though an old dusty piece of classical music is up for grabs, every individual musician or group are the rightful owners of their respective recordings. And therefore you cannot use that 150+ year old song unless you go about getting the proper permissions to use it.
Of course you could always time travel 100 years or so into the future, make your toon and then come back.
Saturday, September 18, 2010
A fresh new Look!
Tuesday, February 23, 2010
Space Barbarian Opening
Tuesday, February 16, 2010
Dig That Funky Pattern
Monday, February 15, 2010
Change is Nigh-ish
Sunday, January 24, 2010
Toon Boom Studio "Review"
I was sitting around working on some things when I realized, I haven't really given any product reviews. And that's something aspiring cartoonists/animators that are just starting out wonder about. So I thought I would mention one that seemed really fancy when I first read of it.
If you're cartoon minded like me, you likely pick up Animation magazine whenever you can, and scour the net for all things related to the craft. If you do, you will have likely come across mention of Toon Boom Studio.
Toon Boom is a powerful program. It features bones and is capable of many different animation techniques. When I read of it Toon Boom sounded like the program I was looking for. Then I tried it out.
Before I continue I'd like to say it is really important to at least familiarize yourself with all of the basics of making a cartoon/animation happen. Since it's more than just drawing, you've got story boards, animatics, exposure sheets. there's a lot of things that go into keeping the entire project on track. Things that keep everyone on the same page
Now if you're a solo cartoonist, as many web cartoonists/animators are. Some of those things don't seem all that important . Until your ideas and planning get to the point where you realize you really do need to keep a more reliable record of your progress than your memory. It's very important to at least be aware of the basics. Especially you find like minded artists to collaborate with, because they don't have the convenience of knowing what you're thinking.
With all of that being said. Toon Boom Studio is, in a nutshell, the process of animation digitally reconstructed.
There is a time line and things some will find familiar if they've dabbled in Flash or anything else. That's where the similarities end. You cannot animate frame-by-frame with Toon Boom, not like with flash.
Toon Boom has and uses an Exposure Sheet like real animation. What an Exposure Sheet does is show you what animation assets and elements are in use for a particular scene. How many frames they're in, or length of a particular action lasts. You cannot do anything on the the time line of Toon Boom, unless you set everything up on the exposure sheet.
Toon Boom whether intentional or not, is geared towards paperless animation. They have a suite of products that are digital versions of aspects of animation, and ways of tying everything together so a studio can work digitally.
Which is all well and good if you happen to be a professional studio or students looking toward traditional animation, but want to be eco-friendly. And I think that's great.
However, for anyone just starting out Toon Boom is not the program for you. Unless you're specifically interested in being an animator. Then Toon Boom Coupled with the resource any and every cartoonist/animator should own The Animators Survival Kit Then you'll have a means of familiarizing yourself with things covered in the book.
Toon Boom is cheaper than Flash, but quite a meaty purchase unless you're really serious about being an animator. Definately try before you buy.